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And, start saving the pocket money because this apparently's only the tip of the accumulated material iceberg and there's another triple set due later in the year.
Elton John's the first at the party with his own Country Comfort, Earl taking an underplaying role that quickly transforms into more prominent picking come the second track, joining Dwight Yoakam for baseball gambling picks a hillbilly Borrowed Love.
However, he's not drunk quite as deeply since Songs From The Capeman as he does on this Phil Ramone produced collection where both musical continents inform much of the material.There's a couple of wholly instrumental tracks (The Broken Bed and The Funeral Waltz, both penned by Till which form pleasing enough interludes between the exclusively traditional menu of the songs.During which time he learned to play the blues, picking guitar free poker games no money on street corners for loose change before eventually winding up living in Norway.Minor but nevertheless enjoyable covers from Dave Edmunds (From Small Things Eddie The Hot Rods (The Ties That Bind) and the delectably trashy (albeit inanely-named) Dawn Chorus The Blue Tits (I'm Going Down) do make up in some measure for the pretentiously overblown Louis Clark/LPO.Warming up with the kind of twanging guitar instrumental that wouldn't be out of place on the soundtrack of a 50s film noir, the kind of film where the weather is always hot and sticky and evil family secrets lurk round every corner, Swank then.And I'm pleased to be able to say her sophomore release doesn't let either of us down.This, his thirteenth, was born of two more.One even weirder twist to the Songdog tale here perhaps is the inclusion of a cover of The Clash's Janie Jones, which against all the odds chimes hand in glove with Lyndon's own songs.Only time will tell if Sugarland Slim goes on to carve the kind of reputation enjoyed for so long by John Lee Hooker but " Blues This Bad " is a firm foundation on which to build.An admirable method, and one which pays dividends in terms of better appreciating the material, certainly.




M Mike Davies Devon Sproule - I Love You, Go Easy (Tin Angel) Despite all the odds, there's a delightfully old-fashioned feel to Devon's latest offering.Her songwriting is heartfelt and truthful, not merely introspective and personal, for it also embraces such topics as the ongoing war in Iraq (Come Home).Yet even for Ric's many admirers I suspect this will still be a slightly confusing issue, since (as so often with Talking Elephant releases) a certain amount of careful reading of credits and ancillary detective work or guesswork will be required to confirm the provenance.Jamie McClennan (fiddle Ross Milligan (guitar, banjo and Duncan Lyall (double bass) convincingly ply gentler, understated instrumental brushstrokes rather than unduly dazzling the ear or upstaging Emily's thoughtful singing, while the additional contributions of Luke Plumb (mandolin) and Alyn Cosker (drums) are impressively minimal and.On Crooked Man, Chris takes the lion's share of the songwriting, and (I risk damning with faint praise here, I know) while he clearly has a keen ear for the conventions of the bluegrass genre he can also at times seem to pander to the.In this package, the CD element captures Devon Sproule in fine and florid form at a Queen Elizabeth Hall (London) gig on 31st October last year (we only find that out from the credits on the DVD, eventually for the DVD rather curiously splices together.Like Mike Peters and The Levellers, at heart his material is protest folk rock that's been plugged into an electric rock dynamo charged with power chords and surging choruses.In The Bleak Midwinter retains the quality of purity inherent in the text, with Peter's sensitive string embellishments neatly sidestepping any trappings of undesirable sentimentality, and the band then have three minutes of wholly acceptable thrashy fun with Good King Wenceslas.That you get here - and all the better for that.To Know Him Is To Love Him is given a reading that's undeniably polished (informed by 30 years of acceptable rock'n'roll revival practice) yet at the same time affectionate and committed; here David Bowie's celeb sax cameo is now taken up with flair by Pete.
No harmonica player can go a whole album without a Little Walter song and Dafgard comes up with It Ain't Right.

With 10 studio albums now to his credit, this collection finds him taking stock of the past and looking to the future.


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